[3], Melba was not known as a Wagner singer, although she occasionally sang Elsa in Lohengrin and Elisabeth in Tannhäuser. [59] She similarly described the American contralto Louise Homer as possessing "the world's most beautiful voice". 61 Castella Street, Lilydale 3140 Melba's name is associated with four foods, all of which were created in her honour by the French chef Auguste Escoffier: Melba planted a variety of poplar tree known as Populus × canadensis "Aurea", or golden poplar, on the Central Lawn in Melbourne Botanic Gardens on 11 April 1903, which has become known as "Melba's poplar". She took the pseudonym "Melba" from Melbourne, her home town. Why not? Radio enthusiasts across the country heard her, and the broadcast was reportedly heard from as far away as New York. [n 9]. She later recalled, "I date my success in London quite distinctly from the great night of 15 June 1889. 'Don't tell me I sing like that, or I shall go away and live on a desert island.'" As was the case in many of her performances, most of Melba's recordings were made at "French Pitch" (A=435 Hz), rather than the British early 20th century standard of A=452 Hz, or the modern standard of A=440 Hz. Melba's autobiography, Melodies and Memories, was published in 1925, largely ghost-written by her secretary Beverley Nichols. Melba described Queensland at that time as 'positively barbaric' and the time after her marriage as strange: Nellie Melba, eigentlich Dame Helen Porter Armstrong GBE, geboren als Helen Mitchell (* 19. Melba later denied giving this advice and was horrified when Butt printed it in her memoirs. [7] They had one child, a son, George, born on 16 October 1883. William Howarth Vestey, a member of the Scots Guards who was killed in action in 1944 during the Second World War and Lady Vestey (1918–2011) (née Pamela Armstrong). Hendes europæiske debut i 1887 i Bruxelles blev startskuddet til en stor karriere på verdens førende operascener. The full series (including both speeches) was included in a 1976 HMV reissue.[65]. "[n 7] To another colleague and compatriot, Peter Dawson, she described his home city of Adelaide as "that city of the three P's – Parsons, Pubs and Prostitutes. [48] She also set up a music school in Richmond, which she later merged into the Melbourne Conservatorium. "[1] After this, she returned to Paris as Ophélie, Lucia in Lucia di Lammermoor, Gilda in Rigoletto, Marguerite in Faust, and Juliette. Melba made such rapid progress that she was allowed to sing the "Mad Scene" from Ambroise Thomas's Hamlet at a matinée musicale in Marchesi's house in December the same year, in the presence of the composer. [1] Her last performance was in London at a charity concert on 10 June 1930. Let me say the same in other words: In order to sing well, it is necessary to sing easily.[58]. M, #125343. [n 2] She was educated at a local boarding school and then at the Presbyterian Ladies' College. [2] She was generous in support of singers who did not rival her in her favoured roles, but was, as her biographer J. By appointment only: Dame Nellie with Pamela Armstrong in 1918. "The Diva to go home." The book opens: It is easy to sing well, and very difficult to sing badly! As the Diva has melodiously declared (only too often), there's no place like it. Armstrong filed divorce proceedings on the grounds of Melba's adultery, naming the Duke as co-respondent; he was eventually persuaded to drop the case, but the Duke decided that a two-year African safari (without Melba) would be appropriate. She argued strongly for further productions of the work in the face of the distaste expressed by the Covent Garden management at this "new and plebeian opera". But if they only knew it, on their understanding and acceptance of that axiom depends half their success. Sein Großvater väterlicherseits war Samuel Vestey, 2. She was educated at a local boarding school and then at the Presbyterian Ladies' College. Nellie Melba, eigentlich Dame Helen Porter Armstrong GBE, geboren als Helen Mitchell (* 19. The programme included Act 2 of Roméo et Juliette (not recorded because the tenor Charles Hackett was not under contract to HMV), followed by the opening of Act 4 of Otello (Desdemona's "Willow Song" and "Ave Maria") and Acts 3 and 4 of La bohème (with Aurora Rettore, Browning Mummery, John Brownlee and others). She was the first Australian to achieve international recognition as a classical musician. Melba soon became popular in Mackay society for her singing and piano-playing. [8] The marriage was not a success; Charles reportedly beat his wife more than once. Er ist der älteste Sohn von William Howarth Vestey und dessen Gattin Helen Armstrong. [20] Her performance in Roméo et Juliette, later in the season, was a triumph and established her as the leading prima donna of the time in succession to Adelina Patti. Her death, in Australia, was news across the English-speaking world, and her funeral was a major national event. Einer ihrer Urenkel ist Samuel George Armstrong Vestey, 3. [67][68], Melba was appointed Dame Commander of the Order of the British Empire in the 1918 New Year Honours, along with May Whitty the first stage performer to receive this order, for her charity work during World War I, and was elevated to Dame Grand Cross of the Order of the British Empire in 1927. She too had a long life, living in Melba’s old home at Coombe Cottage in the Yarra Valley, Victoria, Australia. "[51] In her many concerts, however, her repertoire was regarded as trite and predictable. She met his brutish father Charles, an Irish aristocrat, in Queensland where his family had sent him to jackaroo. [69] A stained glass window commemorating Melba was erected in 1962 in the Musicians' Memorial Chapel of the church of St Sepulchre-without-Newgate, London. [17] Her repertoire across her entire career amounted to no more than 25 roles, of which, The Times obituarist wrote, "only some 10 parts are those which will be remembered as her own. [64] Melba had perfect pitch; the critic Michael Aspinall says of her complete London recordings issued on LP, that there are only two lapses from pitch in the entire set. The conductor was Vincenzo Bellezza. They were seen frequently together in London, which excited some gossip, but far more suspicion arose when Melba travelled across Europe to St Petersburg to sing for Tsar Nicholas II: the Duke followed closely behind her, and they were spotted together in Paris, Brussels, Vienna and St Petersburg. [3] Nichols later complained that Melba did not cooperate in the process of writing or by reviewing what he wrote. [41] In Britain, Melba campaigned on behalf of Puccini's La bohème. After a brief and unsuccessful marriage, she moved to Europe in search of a singing career. [54] She returned to Australia but died in St Vincent's Hospital, Sydney, in 1931, aged 69, of septicaemia which had developed after facial surgery in Europe some time before. Foi unha das máis famosas cantantes do fin da era vitoriana e do inicio do século XX. Lady Vestey died in September 2011. She received a friendly but not excited reception. Nellie Melba Büste im Royal Opera House, Covent Garden, London Nellie Melba, eigentlich Dame Helen Porter Armstrong, geb. Februar 1931 in Sydney) war eine australische Opernsängerin schottischer Herkunft. [1] She was given an elaborate funeral from Scots' Church, Melbourne, which her father had built and where as a teenager she had sung in the choir. Pamela Helen Fullerton Armstrong was born at Armadale, Melbourne, on September 12 1918. Sue Thompson: 0475 219 884 [1][18] In the first years of the decade, Melba appeared in the leading European opera houses, including Milan, Berlin and Vienna. B. Steane put it, "pathologically critical" of other lyric sopranos. She gave financial assistance to the Australian painter Hugh Ramsay, living in poverty in Paris[60] and also helped him to forge connections in the artistic world. Box, Mrs. Mitchell, Mr. George Armstrong and his wife, Mrs. Lempriere and her daughter, Miss Helen Lempriere, and Mr. John Lemmone. [3] In French operas her pronunciation was poor,[2] but the composer Delibes said that he did not care whether she sang in French, Italian, German, English or Chinese, as long as she sang. [1] She was the first Australian to appear on the cover of Time magazine, in April 1927. [88] In 1953 a biopic titled Melba was released by Horizon Pictures and directed by Lewis Milestone. The Canberra suburb of Melba is named after her. "First Night of the Opera – The King and Queen Present", Aspinall, Michael. A blue plaque commemorates Melba at Coombe House, Devey Close in Coombe, Kingston upon Thames, where she lived in 1906. [3] She had at first been nonplussed by the impenetrable snobbery at the Metropolitan; the author Peter Conrad has written, "In London she hobnobbed with royalty; in New York she was a singing menial." After she had signed, she received a far better offer of 3000 francs per month from the Théâtre de la Monnaie, Brussels, but Strakosch would not release her and obtained an injunction preventing her from accepting it. Details about the tempestuous marriage of Dame Nellie Melba and Charles Armstrong taken from: Melba, by John Hetherington. How many students are really prepared to accept that statement? "[17], Melba's marriage to Armstrong was finally terminated when, having emigrated to the United States with their son, he divorced her in Texas in 1900. [4] Melba's mother died suddenly in 1881 at Richmond. [87], In 1946–1947 Crawford Productions produced a popular radio series on Melba starring Glenda Raymond, who became one of the foundation singers of the Australian Opera (later Opera Australia) in 1956. Rupert Christiansen, writing in The Telegraph, bemoaned the casting and the fact checking. [37] In 1896 at the Metropolitan, she attempted the role of Brünnhilde in Siegfried, in which she was not a success. "[2] It was at this time, on Marchesi's advice, that she adopted the stage name of "Melba", a contraction of the name of her home city. Samuel George Armstrong Vestey, 3. Few, if any. Sundays are preferred. Melba was buried in the cemetery at Lilydale, near Coldstream. Da sie in Melbourne 1884 ihr erstes Konzert gegeben hatte und glühende Verehrerin der australischen Hauptstadt war, wählte sie später "Melba… This, and the technical inadequacies of the early recording process (discs were frequently recorded faster or slower than the supposed standard of 78rpm, whilst the conditions of the cramped recording studios – kept very warm to keep the wax at the necessary softness when cutting – would wreak havoc with instrumental tuning during recording sessions), means that playing her recordings back in the speed and pitch she made them at is not always a simple matter. She was active in the teaching of singing at the Melbourne Conservatorium. Der Künstlername ist eine Anspielung auf ihre Geburtsstadt Melbourne. [52], In 1922 Melba returned to Australia, where she sang at the immensely successful "Concerts for the People" in Melbourne and Sydney, with low ticket prices, attracting 70,000 people. [3] After her initial successes in Brussels and Paris in the 1880s, Melba sang infrequently on the European continent; only the English-speaking countries welcomed her wholeheartedly. Below are galleries of Melba's family: Charles Armstrong Son George Armstrong and his wife Evie Granddaughter Pamela Armstrong Vestey Great grandsons Sam and Mark Vestey Charles Armstrong George and Evie Armstrong Pamela Armstrong Vestey Sam and Mark Vestey Online Shop […] Skip to content. Equivalent in 2008 values to £3,630,000 using the UK retail price index or £17,900,000 using average UK earnings. [1], In 1929 she returned for the last time to Europe and then visited Egypt, where she contracted a fever that she never entirely shook off. Despite the antipathy Melba inspired in some of her peers, she helped the careers of younger singers. Dama Nellie Melba GBE nada en Richmond (Melbourne) o 19 de maio de 1861 e finada en Sydney o 23 de febreiro de 1931, nacida Helen "Nelie" Porter Mitchell, foi unha soprano operística australiana. [1] A third reason was her decision to spend more time in Australia. Last Edited= 20 Jul … If the Dame can give those hundred girls her own beautiful voice, well and good, but for heaven's sake let a musician be called in to attend to their repertoire. Mai 1861 in Richmond (heute Teil von Melbourne) als Helen Porter Mitchell und Tochter eines aus Schottland stammenden Baumeisters in eine musikalische Familie hineingeboren. Mitchell, a Scot, had emigrated to Australia in 1852, becoming a successful builder. [1][55] The funeral motorcade was over a kilometre long, and her death made front-page headlines in Australia, the United Kingdom, New Zealand, and Europe. Hours of opening: The Australian $100 note features her image. [13][n 4], Melba made her Covent Garden début in May 1888, in the title role in Lucia di Lammermoor. Her father encouraged her in her musical studies, but he strongly disapproved of her taking up singing as a career. Dame Nellie Melba GBE (19 May 1861 – 23 February 1931), born Helen "Nellie" Porter Mitchell. [n 3] Her debut at the Princes' Hall in 1886 made little impression, and she sought work unsuccessfully from Sir Arthur Sullivan, Carl Rosa and Augustus Harris. 53 Beziehungen. [n 10], Melba made numerous gramophone (phonograph) records of her voice in England and America between 1904 (when she was already in her 40s) and 1926 for the Gramophone & Typewriter Company[63] and the Victor Talking Machine Company. Nellie Melba Büste im Royal Opera House, Covent Garden, London Nellie Melba, eigentlich Dame Helen Porter Armstrong, geb. She returned to Australia frequently during the 20th century, singing in opera and concerts, and had a house built for her near Melbourne. [4] She was often accompanied in concert, and some of her concerts were organised, at times throughout her career by the flautist John Lemmone, who became a "lifelong friend and counsellor". Look again at the last batch of head-lines. They smile, and say: "It may be easy for you, but not for me." [53] In 1926 she made her farewell appearance at Covent Garden, singing in scenes from Roméo et Juliette, Otello, and La bohème. Hours of opening: "Another Kind of Empire: The Voice of Australia, 1931–1939", Dame Commander of the Order of the British Empire, Dame Grand Cross of the Order of the British Empire, "Five Ways to Compute the Relative Value of a UK Pound Amount, 1830 to Present", "Grand Opera – Italian Male Chorus – Engagement Resented, Hint of Strike", "Recordings: From a Vault in Paris, Sounds of Opera 1907", "A Complete Series of Polymer Banknotes: 1992–1996", "East Link Twin Tunnels named as Melba and Mullum Mullum", "Opera, Escoffier, and Peaches: The Story Behind the Peach Melba", "How Downton Abbey got Nellie Melba all wrong", "Music that inspired the Scotiabank Giller Prize finalists", Links to recordings, images and information about Melba, https://en.wikipedia.org/w/index.php?title=Nellie_Melba&oldid=999031608, Australian Dames Grand Cross of the Order of the British Empire, People educated at the Presbyterian Ladies' College, Melbourne, Infectious disease deaths in New South Wales, Pages containing links to subscription-only content, Articles with incomplete citations from December 2019, All Wikipedia articles written in Australian English, Articles containing Italian-language text, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Melba sauce, a sweet purée of raspberries and red currant, Melba Garniture, chicken, truffles and mushrooms stuffed into tomatoes with, This page was last edited on 8 January 2021, at 04:33. [31] In the French repertoire, she sang Juliette in Roméo et Juliette,[32] Marguerite in Faust,[33] Marguerite de Valois in Les Huguenots,[34] the title role in Saint-Saëns's Hélène, which was written for her,[3] and Micaëla in Carmen. [3] In her teens, Melba continued to perform in amateur concerts in and around Melbourne, and she played the organ at church. Die australische Koloratursopranistin Nellie Melba wurde am 19. May 3, 2014 - Explore Susan McDougall's board "Dame Nellie Melba" on Pinterest. Spouse (1) Charles Frederick Nisbett Armstrong (22 December 1882 - 1900) ( divorced) ( 1 child) Trivia (8) She was awarded the … Her passing was very peaceful. Apr 12, 2014 - Dame Nellie Melba and her son George Armstrong. See Williamson, Samuel H. The appointment was announced on 5 March 1918, but, The cylinder Melba is most renowned for, Queen Marguerite's cabaletta from. This Hugh Ramsay 'sketch' in oil paint of Dame Nellie Melba was complete only 30 minutes after he met … On 15 June 1920, Melba was heard in a pioneering radio broadcast from Guglielmo Marconi's New Street Works factory in Chelmsford, singing two arias and her famous trill. Lady Vestey was born Pamela Armstrong in 1918 to Melba's son, George Armstrong, and his wife, Evie Doyle. [36] Marguerite de Valois, too, is not the leading female role in Les Huguenots, but Melba was willing to undertake it as seconda donna to Emma Albani. She was married to Charles Frederick Nisbett Armstrong. After one of them The Musical Times wrote: The real musical interest of the afternoon, however, was supposed to centre in the "Jewel Song" from Faust, Puccini's "Addio", Lieurance's "By the waters of Minnetonka", and Tosti's "Good-bye", and in the encores, thoughtfully announced beforehand – "Home, sweet Home" and "Annie Laurie." [70] She is one of only two singers – the other being Adelina Patti – with a marble bust on the grand staircase of the Royal Opera House, Covent Garden.[71]. Part of the event was filmed for posterity. I hate the artistic snobbery of it. Der Künstlername ist eine Anspielung[1] auf ihre Geburtsstadt Melbourne. Returning to London she quickly established herself as the leading lyric soprano at Covent Garden from 1888. 20 Nov 1920, d. 21 Nov 1920; Citations BP2003 volume 1, page 139. [3] Her most frequent role in that house was Marguerite in Gounod's Faust, which she had studied under the supervision of the composer. And they seem to think that there the matter ends. The music hall at the University of Melbourne is known as Melba Hall. [65] Like Patti, and unlike the more vibrant-voiced Tetrazzini, Melba's exceptional purity of tone was probably one of the principal reasons why British audiences, with their strong choral and sacred music traditions, idolised her. Billboards in many countries said simply "Melba is dead". Dame Helen Porter Armstrong war eine zu ihrer Zeit berühmte australische Opernsängerin, nach der das Dessert „Pfirsich Melba“ und das „Melba-Toast“ benannt sind. You can order images online, here... Purchase books, CDs, photographs and other merchandise, Email us your info (and images) to: "[14] She was offended when Augustus Harris, then in charge at Covent Garden, offered her only the small role of the page Oscar in Un ballo in maschera for the next season. Melba was taught to play the piano and first sang in public around age six.
[email protected], Our home is the Old Lilydale Court House: Februar 1931 in Sydney) war eine australische Opernsängerin schottischer Herkunft.Der Künstlername ist eine Anspielung auf ihre Geburtsstadt Melbourne. "[47], In 1909, Melba bought property at Coldstream, a small town near Melbourne, and in 1912 she had a home built there (extending an existing cottage) that she named Coombe Cottage after a house she had rented near London. [3] She was vindicated by the public enthusiasm for the piece, which was bolstered in 1902 when Enrico Caruso joined her in the first of many Covent Garden performances together. [1] In 1924 for another Williamson opera season, she caused resentment among local singers by importing an entire chorus from Naples. Her father, George Armstrong, was Nellie Melba’s only child, and particularly precious to the singer because he had been taken to Texas by his father, Charlie Armstrong, with the result that she had lost track of him for more than a decade. [S37] Lt.-Col. Jocelyn Otway 1. Assured of critical success, she set herself to achieve social recognition, and succeeded. The following year, she performed at the Opéra in Paris, in the role of Ophélie in Hamlet; The Times described this as "a brilliant success", and said, "Madame Melba has a voice of great flexibility ... her acting is expressive and striking. Failing to find engagements in London in 1886, she studied in Paris and soon made a great success there and in Brussels. [35], Some writers expressed surprise at Melba's playing the last of these roles, since it was merely a supporting part in the opera. Her headstone, designed by Sir Edwin Lutyens,[56] bears the farewell words of Mimì in La bohème: "Addio, senza rancor" (Farewell, without bitterness).[57]. Closed Public Holidays, Contact Details: "Obituary – Dame Nellie Melba – A great prima donna". Fridays 1 to 4pm and Saturdays to Mondays 11am to 4pm. He and Melba did not resume their relationship. 76 Beziehungen. Despite this, they still reveal Melba to have had an almost seamlessly pure lyric soprano voice with effortless coloratura, a smooth legato and accurate intonation. At the conclusion Lord Stanley of Alderley made a formal address and Melba gave an emotional farewell speech. These cylinders are often poor in quality, but they preserve something of the quality of the young Melba's voice and performance that is sometimes lacking from her commercial recordings. [3][n 8] In recognition of this, she was created a Dame Commander of the Order of the British Empire (DBE) in March 1918, "for services in organising patriotic work". This website uses cookies and third party services for improved visitor experience. People listening on the radio barely heard a few scratches of the trill and two arias she sang. [61] Melba can be heard singing on several Mapleson Cylinders, early attempts at live recording, made by the Metropolitan Opera House librarian Lionel Mapleson in the auditorium there during performances. [9] On the strength of local success, she travelled to London in search of an opportunity. She taught for many years at the Conservatorium in Melbourne and looked for a "new Melba". The Musical Times wrote, "Madame Melba is a fluent vocalist, and a quite respectable representative of light soprano parts; but she lacks the personal charm necessary to a great figure on the lyric stage. Sue Thompson: 0475 219 884 [48] The house was designed by John Harry Grainger, father of the composer Percy Grainger, and a close friend of Melba's father David Mitchell.[80]. [66], Melba's farewell to Covent Garden on 8 June 1926 was recorded by HMV, as well as broadcast. It is now owned by Lady Vestey's sons, Sam (3rd Baron Vestey) and Mark, who reside in the United Kingdom. [12] She made her operatic debut four days later as Gilda in Rigoletto at La Monnaie on 12 October 1887. Melba studied singing in Melbourne and made a modest success in performances there. She had first sung the part of Mimì in 1899, having studied it with the composer. [72] She was inducted onto the Victorian Honour Roll of Women in 2001. [73] Melba was closely associated with the Melbourne Conservatorium, and this institution was renamed the Melba Memorial Conservatorium of Music in her honour in 1956. [3] She never essayed any of Mozart's operas, for which some thought her voice ideally suited. Click the images to see the enlargements. [78], Melba's home in Marian, Queensland, during her brief cohabitation with her husband was relocated from the Marian Mill (where it was due to be demolished) to a riverbank setting along the main Eungella Road in Edward Lloyd Park, where, under the name Melba House, it was restored and now operates as a Melba museum and the Pioneer Valley Visitor Information Centre. She received a certain amount of praise in these roles, although Klein found her unsuited to them,[2] and Bernard Shaw thought she sang with great skill but played artificially and without sensibility. [6] On 22 December 1882 in Brisbane, she married Charles Nesbitt Frederick Armstrong (1858–1948), the youngest son of Sir Andrew Armstrong. [64] The poor audio fidelity of the Melba recordings reflects the limitations of the early days of commercial sound recording. Melba was portrayed by Kiri Te Kanawa in episode 3 of season 4 of the British ITV television show Downton Abbey (2013), performing at the abbey as a guest of Lord and Lady Grantham. He was a great-grandson of the celebrated opera singer Dame Nellie Melba on his mother's side. Nellie and Charles’ son George also had only one surviving child, Pamela, who later became Lady Vestey. – "I have a star at last!". Fridays 1 to 4pm and Saturdays to Mondays 11am to 4pm. Mai 1861 in Richmond, Melbourne; † 23. She published a book about her methods, which were based on those of Marchesi. Nellie Melba, vlastním jménem Helen Porter Mitchellov á (16. května 1861 — 23. února 1931) byla australská operní pěvkyně, představitelka lyrického sopránu. She passed her own cadenzas on to a young Gertrude Johnson, a valuable professional asset. Facebook … Nellie Melba Museum |
[email protected]. [3], Melba sang the role of Nedda in Pagliacci at Covent Garden in 1893, soon after its Italian premiere. Mai 1861 in Richmond, Melbourne; † 23. Helen Pamela Fullerton Melba Armstrong + 1 b. Melba was played by the soprano Patrice Munsel. [42], She performed 26 times at the Royal Albert Hall in London between 1898 and 1926. A reporter from Phonoscope magazine was impressed: "The next cylinder was labelled 'Melba' and was truly wonderful, the phonograph reproducing her wonderful voice in a marvellous manner, especially the high notes which soared away above the staff and were rich and clear." She died on February 23, 1931 in Darlinghurst, Sydney, New South Wales, Australia. [3] She is well remembered in Australia for her seemingly endless series of "farewell" appearances, including stage performances in the mid-1920s and concerts in Sydney on 7 August 1928, Melbourne on 27 September 1928 and Geelong in November 1928. [85] Full-length biographies devoted to her include those by Agnes G. Murphy (1909), John Hetherington (1967), Thérèse Radic (1986) and Ann Blainey (2009). [4] The couple separated after just over a year,[3] and Melba returned to Melbourne determined to pursue a singing career, debuting professionally in concerts in 1884. Mai 1861 geboren . [77] A street in San Francisco, Melba Avenue, is also named for her. We cannot lightly face the prospect of a hundred débutantes let loose on us a year hence full to the epiglottis with "Minnetonkas", "Jewel Songs", and "Home, sweet Homes". [n 5], In the early 1890s, Melba embarked on an affair with Prince Philippe, Duke of Orléans. Fridays 1 to 4pm and Saturdays to Mondays 11am to 4pm. [2] She sang Mimì for Oscar Hammerstein I at his opera house in New York, in 1907, giving the enterprise a needed boost. [21], From the 1890s, Melba played a wide range of parts at Covent Garden, mostly in the lyric soprano repertoire, but with some heavier roles also. Baron Vestey. By all means. A novel Evensong by Nichols (1932) was based on aspects of Melba's life, drawing an unflattering portrait. and. George Nesbitt Armstrong: Rodiče: David Mitchell a Isabella Ann Dow: Příbuzní: Helen Armstrong a Frederick Armstrong (vnoučata) Některá data mohou pocházet z datové položky. Melba was taught to play the piano and first sang in public around age six. In 1939 she married Lord William Vestey, who was killed in action in World War II. Pamela Helen Fullerton Armstrong was born at Armadale, Melbourne, on September 12 1918. Da sein Vater im Zweiten Weltkrieg 1944 in Italien gefallen war, erbte … And in Brussels supporter in London between 1898 and 1926 10 June 1930 the pseudonym `` Melba '' Pinterest! She set herself to achieve social recognition, and she threw herself into fund-raising for war charities in. 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